Michelangelo’s “Creation of Adam” on the Sistine Chapel ceiling sucks me in, the whole painting and the vastness of the ceiling it looks down from, but mostly, that small space between the finger of God and the finger of Adam.
As the story goes, the image depicts the moment of creation.
I’m absorbed by the image. I ponder, not the second of imparted life and
breath, but the seconds before and afterward.
Adam and God stretch toward to each other, God giving life,
Adam receiving life.
Did God pause, just before that touch? Did both
pause just afterward? The painting is frozen, with Created and Creator
forever not quite touching.
Consider the instant after breath flowed into
man, after the startling intensity of that life-touch. Adam, to me, seems to
be already pulling away, leaving God and man each with his own realization of
the distance between them . . . so close but so separate.
I want them to hold on to each other, but maybe they have to let go? Can
they do both at the same time?
This blog post is part of a series of writing (May 31-June 2012) by Tammy Fletcher Bergland about holding on and letting go. tbergland.blogspot.com
This blog post is part of a series of writing (May 31-June 2012) by Tammy Fletcher Bergland about holding on and letting go. tbergland.blogspot.com